ANSHUMAN CHAKRABORTY

Fictions

Fiction

  • Duration: 30m:15s

    Ak Ghar Masjid (…homecoming)



    A young lady, who studied in abroad, once made a visit with her friend in a Muslim Community in suburb of Bengal, where they met a poor Muslim vegetable vendor named Fazal and his family and an old Hindu Brahmin, fondly called 'Barababa'(Old Father) in a tense situation on communal crisis, where the young urban couple realised the meaning of Life and Fazal and 'Barababa' taught them the 'Truth of Life', the ever remembering lesson.



    • Shot on A7S2
    • Edited on FCP
    • Aspect Ratio-16:9
    • Sound-Stereo

    • Production House:JAPM(Real Reel)
    • Story:Jatasankar Lahiri
    • Script-Screenplay-Direction:Anshuman Chakraborty
    • Executive Producer:Moumi Chakraborty
    • Camera:Arnab Mukhopadhyay
    • Edit:Bppaditya Chattopadhyay
    • Music:Joy Bhadra
    • Graphics & Poster:Osman Begg

    • Production House:JAPM(Real Reel)
    • Story:Jatasankar Lahiri
    • Script-Screenplay-Direction:Anshuman Chakraborty
    • Executive Producer:Moumi Chakraborty
    • Camera:Arnab Mukhopadhyay
    • Edit:Bppaditya Chattopadhyay
    • Music:Joy Bhadra
    • Graphics & Poster:Osman Begg
  • Duration: 15m:17s

    EI... TAXI (A CALL TO KILL)



    Set at a dead of night in Kolkata, this psychological thriller is about a middle aged stubborn intoxicated taxi driver. He is a nonbeliever in deities and had spent his driving career cheating most of his passengers especially at night to earn extra. One night he is introduced by a mysterious young lady as his passenger in a tricky situation. His trouble-ride begins then. It comes scary after he discovers that he is carrying a dead woman left behind by a trickster passenger. Determined to steer away unblamed, he encounters many troubles as he sets out to dispose her body. Though he succeeds in his nervous attempt, his belief in the supernatural changes forever when he finds that she has become his permanent client.



    • Shot on Mark3
    • Edited on FCP
    • Aspect Ratio-16:9
    • Sound-Stereo


      • Production-P.R Production
      • Producer- Ranbir Kaur & Prateek D. Sharma
      • Story- Sujoy Mondal
      • Script-Screenplay-Direction- Anshuman Chakraborty
      • Camera- Srijit Basu
      • Sound(Location)-Suman Chakravorty
      • Edit & VFX- Sandip Kumar Das
      • Music Design- Sandip Kumar Das & Suman Chakravorty
      • Sound Design-Ayan Bhattacharya
      • Executive Producer-Ankur Chakraborty
      • Soumitra Chakraborty
      • Anuradha Mukherjee
      • Indrajit Bakshi
      &
      • Shantanu Chatterjee
  • Duration: 04m:44s

    Lock Down



    During Lock down period, a couple confined in a 10/10 flat, whenever they are struggling with the situation suddenly they realise the truth of living



    • Shooting Format-1080*1920
    • Aspect Ratio-16:9
    • Sound-Stereo


      • Production House: Real Reel JAPM
      • Producer- Subhabrata Saha
      • DOP- Jayanta Roy
      • Edit - Jayanta Roy
      • Script- Ranju Cycloni
      • Rumi
      • Jayantai
      • Concept-Screenplay-Anshuman Chakraborty
      • Direction-Jayanta Roy
  • Duration: 19m:00s

    KAAL RATRI(…And They Named Me)



    A woman of about 30 is spotted hiding in a bush during night patrolling by police by the highway. The CM’s convoy is to pass through the highway early next morning. Is the woman someone connected with any terrorist group? The woman is picked up for questioning. It is a travesty of interrogation, a mockery of officialdom. The woman does not understand what her fault is. A time comes when she loses even her self-esteem. Then what price law & rules? Who will answer these pertinent questions?



    • Shot on Mark3
    • Edited on FCP
    • Aspect Ratio-16:9
    • Sound-Stereo


      • Production- R.K Production
      • Producer- Ranbir Kaur
      • Executive Producer- Ankur Chakraborty
      • Concept-Script-Screenplay-Direction- Anshuman Chakraborty
      • Camera- Sandipp
      • Sound (Location)-Suman Chakravorty
      • Art Director- Samar Halder
      • Sound (Post)- Ayan Bhattacharya
      • Edit- Sandip Kumar Das
      • Smita Chatterjee
      • Mirza Wasim Begg
      • Indrajit Bakshi
  • Duration: 19m:00s

    Melting Moments (Oh Kolkata, Once More…)



    “Time and tide wait for none”…but the relationship remains forever and the endless wait for each other made the World, most beautiful place to live to dream and of course to wait….



    • Shot on A7S2
    • Edited on FCP
    • Aspect Ratio-16:9
    • Sound-Stereo


      • Production: Magic Minds
      • Producer- K.L Sarda & Jata Shankar Lahiri
      • Concept-Screenplay-Direction-Anshuman Chakraborty
      • Camera-Abhijit Nandy
      • Edit-Graphics-Music Design- Sandip Kumar Das
      • Executive Producer- Ankur Chakraborty
      • Poster Design: Ruchira Paul
      • Soumitra Chattopadhyay,
      • Anuradha Roy,
      • Shilpi Das,
      • Sourav Bandyopadhyay &
      • Ranjit K. Choudhury
  • Duration-14m 43sec

    The Another Character



    It is believed that leading actress Lisa Ray is living alone in her cozy apartment and she used to take shower before her shoot. At one night during bathing an anonymous caller, calls her. Immediately she recognizes the caller and her tremor starts.



    • Shot on Alexa SXT
    • Edited on FCP7
    • Aspect Ratio: 16:9


      • Production House-Transcendent Adventure
      • Producer- Ranjit Kumar Choudhury
      • Executive Producer- Moumi Chakraborty
      • DOP- Srijit Basu
      • Art Director- Sadek
      • Sound (Location)- Suman Chakravarty
      • Sound Mixing- Ayan Bhattacharya
      • Edit & Music Design- - Sandip Kumar Das
      • VFX-Osman Begg
      • Ranjit Kumar Choudhury,
      • Arnab Bhadra (The Voice),
      • Indrajit Bakshi &
      • Sayantani Nandi
      • Story-Script-Screenplay-Direction- Anshuman Chakraborty
  • Duration: 28m:00s

    Kichu Padatik Muhurto (Mind Moment Motion)



    A person can overtake his/her stasis, by translating, all his / her momentum into mental pyrotechnique lucidly stated imagination. A motionless, handicapped person can discard his/her inertia and involve himself/herself in greater moment- which we define as TIME. Perhaps that is the reason, which made me choose the subject.
    The film has two parts-
    The first part consists of the Girl’s ( the protagonist) real life, the second part deals with her reel life imagination.
    Truth becomes a nebulous pursuit.
    What happens next?



    • Shot on DVC Pro
    • Edited on Speed Razor 6
    • Aspect Ratio: 4:3
    • Sound-mono


      • Producer- Anshuman Chakraborty
      • Executive Producer- Moumi Chakraborty
      • DOP- Asis Roy
      • Art Director- Asish Roy
      • Edit-Sound & Music Design - Mithun Shil
      • VFX-Mithun Shil
      • Anamaika Banerjee,
      • Shrirupa Basu,
      • Arupratan Ganguli
      • Story-Script-Screenplay-Direction- Anshuman Chakraborty
  • Duration: 61m:27s

    Lakshya (The Target)



    Hiya Chatterjee, a smart, bubbling young crime reporter. Life seems to be going great guns for her- she makes ‘breaking stories’at thedrop of a hat, laps up the adulation of bureau-chief Sandipan Sen, and has a steady relationship going with Indraneel, a police officer.
    However this merry roller-coaster suffers an abrupt jolt, when she reaches a slum to report on rape case. The victim is none other than her precious Kalpana..once a cheerful girl..her lovable maid.
    Hiya, after some interrogation, knows, who the culprit is-the powerful and promoter. She thinks, she has a story, she thinks she will put the culprit behind the bar…but the sinister politics of money-power and media, her life comes under threat. Worse still, she is forsaken by her fiancé and her boss.
    Truth becomes a nebulous pursuit.
    What happens next?



    • Shot on DV CAM
    • Edited on FCP
    • Aspect Ratio-4:3
    • Sound-Mono


      • Producer- ZAS communication
      • Executive Producer- Ziarat Hussain
      • DOP- Sandipp Bhattacharya
      • Art Director- Banty
      • Edit-Sound & Music Design- - Sushital Das
      • VFX-Osman Begg
      • Soumili Biswas,
      • Sudip Mukherjee,
      • Kalipada Mukherjee,
      • Wasim Begg
      • Story-Script-Screenplay-Direction- Anshuman Chakraborty
  • Duration: 60m:05s

    Adhikar (The Motherhood)




    Who is the ‘real Mother’ of a child… one,
    who gave the birth and immediately left the newborn to satisfy her ego or one..who, in spite of every diversity, with her tender care and love introduced and established the child in outer world? The film has searched the answer.



    • Formar Mini DV / Beta
    • Shot on Z7P
    • Edited on Premier
    • Aspect Ratio - 4:3
    • Sound - Mono


      • Producer- Door Darshan North-East
      • Executive Producer- Biplab Goswami
      • DOP- Sandipp Bhattacharya
      • Art Director- Bhabotosh Biswas
      • Sound- Asim Das
      • Music-Chandan Roychoudhury
      • Edit - Sandip Kumar Das
      • VFX-Osman Begg
      • Mahua,
      • Prasenjit Ghosh,
      • Reshmi Bhattacharya
      • Story-Script-Screenplay-Direction- Anshuman Chakraborty
  • Duration: 15m:00s

    Sunglass



    An aged couple looking for a break to rid of their daily monotony, one day a renowned filmmaker visited their home, who used to make ghost films and their 'monotony' removed for ever.



    • Shot at A7s2
    • Edited on FCP 10
    • Aspect ratio: 16:9
    • Sound: Stereo


      • Executive Producer- Moumi Chakraborty
      • Biswajit Chowdhury
      • Lily Chandra
      • Indrajit Bakshi
      • Production House: Surubala
      • Script-Screenplay-Direction: Anshuman Chakraborty
      • Camera: Sourideb Chatterjee
      • Edit: Graphics-Jayanta Roy
      • Music: Aryama & Anshuman
      • Poster: Ruchira Paul